Flixbuzz India

At 64, Shivarajkumar is showing no signs of slowing down. In fact, the Kannada superstar's current career phase may be one of the busiest and most diverse of his four-decade-plus journey. What makes his line-up particularly interesting is not merely the number of projects. Shivarajkumar is now moving comfortably between Kannada, Tamil and Telugu cinema , while also taking on multilingual projects and roles that range from commercial action to mythology, espionage and emotionally driven dramas. And alongside all these films is a deeply personal project — Survivor – A Superstar Documentary — which chronicles the actor's battle with cancer and his journey back to normal life. His recent appearance in Peddi has already taken place, while several other projects are at different stages of production, post-production and development. Here is a closer look at Shivarajkumar's current line-up. Jailer 2 : Shivanna Returns as Narasimha The biggest immediate release in Shivarajkumar...

Suriya's upcoming Scene has quickly become one of the most anticipated Tamil releases of Diwali 2026. The film, directed by Jithu Madhavan, will see Suriya play DSP Inbaraj, an unconventional police officer. The title teaser released on September 9 has generated strong reactions, particularly for Suriya's character, the mass moments and Jithu Madhavan's distinctive presentation. Scene is scheduled to release on November 6, 2026. But the bigger question is: how much can Scene actually collect at the box office? Based on Suriya's current box-office momentum and Jithu Madhavan's previous films, the early prediction is encouraging. Suriya's Recent Box-Office Momentum Suriya enters Scene after two successful films. Karuppu : A Career-Best Blockbuster Karuppu , directed by RJ Balaji and co-starring Trisha Krishnan, became a major commercial success for Suriya. The film opened strongly, earning around ₹20 crore worldwide on its first day. Its theatrical run subsequ...

The stage is set for a massive cinematic showdown this Diwali. Suriya’s upcoming film Scene , directed by Jithu Madhavan, is gearing up for a theatrical release on November 6, 2026 , bringing it into a highly anticipated clash with the much-talked-about mythological epic Ramayana , starring Ranbir Kapoor, Sai Pallavi and Yash. The clash has already sparked excitement among movie buffs, as both films come with strong star power but belong to completely different genres. Suriya’s Scene vs Ranbir Kapoor-Yash’s Ramayana Suriya’s Scene promises an unconventional entertainer. The recently released teaser introduces the actor as DSP Inbaraj , a quirky and unpredictable police officer. With Jithu Madhavan at the helm, the film is expected to combine action, comedy and eccentric characters — elements that have become associated with the filmmaker's distinctive style. On the other hand, Ramayana is being mounted on a completely different scale. Directed by Nitesh Tiwari, the film features...

The much-awaited teaser of Suriya’s upcoming film Scene was released on September 9, giving fans their first glimpse of the actor’s new character and the film’s intriguing world. Directed by Jithu Madhavan, the movie marks Suriya’s 47th feature film and is set to arrive in theatres during the Diwali season. ( Zoom TV ) The one-minute teaser introduces Suriya as DSP Inbaraj , a police officer who appears to command attention wherever he goes. The teaser opens with his arrival at a prison, where his presence immediately creates an unusual reaction among the inmates. Rather than revealing the complete storyline, the makers have focused on establishing Inbaraj’s personality, swagger and authority. ( Zoom TV ) What makes the teaser particularly interesting is its controlled approach to storytelling. Instead of giving away major plot points, Scene offers glimpses of its protagonist and the atmosphere surrounding him. The footage suggests that Inbaraj will be involved in a challenging case ...

When Thalapathy Vijay announced Janayagan as his final film before entering full-time politics, expectations skyrocketed. Fans anticipated a record-breaking farewell that would eclipse even Leo and The Greatest of All Time (GOAT) . While the film has undoubtedly emerged as one of the biggest Tamil releases of 2026, its box office journey has been more nuanced than many expected. A Flying Start Janayagan opened to packed theatres across Tamil Nadu and key overseas markets. The emotional factor of Vijay's farewell, coupled with massive advance bookings, helped the film register one of the biggest openings of the year. The film crossed the ₹100 crore worldwide mark within two days and continued its strong momentum through the opening weekend, cementing its place among the biggest Tamil openings of 2026. However, it did not surpass the opening benchmarks set by Vijay's previous blockbusters like Leo and GOAT . Strong Weekend, Softer Weekdays Like most star-driven commercial en...

  Rating: 2.5/5 There are movies that become events, and then there is Jana Nayagan . Marketed as Thalapathy Vijay's final film before his full-time political career, the expectations were enormous. Fans wanted a fitting farewell, while movie lovers hoped director H. Vinoth would deliver a gripping political action drama. Unfortunately, Jana Nayagan succeeds more as a celebration of Vijay than as a consistently engaging film. Story The film follows a former police officer who is drawn back into a battle against a powerful and corrupt system. As personal loss, political ambition, and social justice collide, he transforms into a leader who fights for the people. While the premise has all the ingredients of a compelling political thriller, the execution struggles to maintain momentum. Performance Vijay is undoubtedly the soul of the film. His screen presence, dialogue delivery, and emotional moments remind audiences why he remains one of Tamil cinema's biggest stars. Whether it...

In Indian cinema, names are rarely just names. Some names are designed to sound heroic. Some are crafted for mass appeal. Some carry romance, swagger, or larger-than-life energy. And then there is Manjunath . A name so deeply rooted in Karnataka’s cultural identity that it has gone beyond mere naming and evolved into something far more fascinating in cinema. Over the years, Manjunath, Manju, and Manja have repeatedly appeared in Indian films—not just as names, but as distinct character archetypes. And somewhere along the way, Manjunath became a genre of its own. More Than a Name Traditionally, Manjunath is a name associated with Lord Shiva, devotion, and spiritual grounding. In Karnataka, it is among the most common and culturally significant names. But cinema gave the name a much wider emotional range. A character named Manjunath is rarely ordinary. He is often: Flawed Relatable Funny Rebellious Spiritually rooted Emotionally layered That unpredictability is exactly what makes the nam...

In an era where younger stars dominate headlines and social media buzz often decides a film’s fate, veterans have had to fight harder than ever to stay relevant. But some stars don’t fade away—they return stronger. That is exactly what Action King Arjun Sarja has done with Blast . For decades, Arjun has been one of South Indian cinema’s most dependable action heroes. Whether in Tamil, Telugu, or Kannada cinema, he built a reputation as a star who stood for discipline, power-packed performances, and intense screen presence. His action scenes weren’t just stylish—they had conviction. But over the last few years, while Arjun remained active, many felt Tamil cinema hadn’t fully utilized the Action King in a true mass-action role. That changes with Blast . Blast arrives as the perfect reminder of why Arjun earned the title “Action King” in the first place. The film brings back everything fans missed—martial arts-driven action, commanding screen presence, emotional weight, and that unmistak...

Tamil cinema has always welcomed talent from different backgrounds. While earlier generations entered the industry through theatre, modeling, or assistant director routes, the last two decades have seen a new launchpad: television reality shows. Reality shows gave aspiring actors, singers, dancers, and performers something earlier generations never had—visibility. A single memorable performance on TV could put them in front of millions overnight. For many, that visibility became the first step toward stardom in Kollywood. Here’s a look at some notable names who successfully transitioned from television reality shows to Tamil cinema. Sivakarthikeyan — The Biggest Success Story No discussion about reality-show success stories in Tamil cinema can begin without Sivakarthikeyan. He first gained popularity through the comedy reality show Kalakka Povathu Yaaru? on Star Vijay . His natural humor, timing, and relatable screen presence made him a household name. From television anchor to suppor...

In Indian cinema, the term “GOAT” gets thrown around far too casually. Every generation has its icons. Every industry has its superstars. But when we talk about the Greatest of All Time —the one name that transcends box office, language, class, and generations—there is only one undeniable answer: Rajinikanth . Not because he acted in the most films. Not because he won the most awards. Not because he delivered the highest number of blockbusters. Rajinikanth is the GOAT of Indian cinema because no one else has redefined stardom the way he did. Rajinikanth Didn’t Enter Cinema as a Hero—He Became a Phenomenon Unlike most superstars who entered cinema with conventional hero material looks, Rajinikanth’s rise was improbable. He wasn’t launched as a chocolate-boy hero. He wasn’t marketed as the industry’s next big thing. He started with negative roles, character roles, and supporting parts. Yet within a few years, he became the most powerful screen presence in Indian cinema. That itself is ex...

Tamil audiences love calling themselves the smartest movie audience in India. We proudly claim we understand cinema better than everyone else. We mock other industries for celebrating mediocrity. We constantly say Tamil cinema produces the best directors, best actors, and best writing in the country. But here’s the uncomfortable truth nobody wants to admit. Tamil audiences have become deeply hypocritical. We demand quality cinema. We ask stars to take risks. We beg filmmakers to make original content. But when those films actually arrive in theatres, we ignore them, troll them, or reject them. Then years later, after OTT, TV reruns, and endless social media edits, we suddenly act like we always supported them. That isn’t appreciation. That’s hypocrisy. And it is hurting Tamil cinema. This pattern has become painfully obvious. A film releases. First show ends. Twitter reviews arrive. YouTube verdicts drop. WhatsApp opinions spread. Within hours, the film is declared: “Average.” “Mid.” “...

Some filmmakers make films. Some filmmakers shape eras. And then there are rare storytellers like K. Bhagyaraj—a man who didn’t just entertain audiences, but understood them. With the passing of K. Bhagyaraj, Indian cinema loses more than a filmmaker. It loses one of its sharpest writers, one of its most instinctive storytellers, and perhaps the finest chronicler of middle-class aspirations, contradictions, and everyday humor. Bhagyaraj was not cinema’s conventional hero. He didn’t rely on grandeur, larger-than-life personas, or exaggerated machismo. Instead, he brought something revolutionary to Tamil cinema: relatability. His heroes were ordinary men—awkward, flawed, intelligent, emotional, and often caught in deeply human dilemmas. They stumbled, they struggled, they made mistakes. But audiences saw themselves in them. That was Bhagyaraj’s superpower. The King of Screenplay There’s a reason K. Bhagyaraj earned the title “King of Screenplay.” His writing had rhythm. His scenes moved ...

There was a time when the mere mention of Rajinikanth would evoke instant admiration across generations. His name wasn’t just associated with superstardom—it represented humility, hard work, mass appeal, and an unparalleled cultural phenomenon that transcended cinema. But social media in 2026 tells a different story. Over the past few months, an unsettling trend has emerged online. Sections of Gen Z users, particularly on platforms like X and Instagram, have increasingly mocked Rajinikanth—questioning his relevance, dismissing his cinematic legacy, and reducing decades of contribution to memes and sarcastic commentary. Criticism is natural. Every public figure, no matter how iconic, is open to debate. But what we are witnessing now feels less like criticism and more like casual disrespect. The Generational Divide To understand this clash, one must first understand the stark difference in how generations consume cinema. For millennials and older audiences, Rajinikanth is not merely an a...

When we speak about films on India’s freedom struggle, the first names that usually come to mind are Hindi films on Bhagat Singh, Subhas Chandra Bose, Mahatma Gandhi, Sardar Patel, Mangal Pandey, or Udham Singh. But India’s freedom fight was not limited to Delhi, Punjab, Bengal, Maharashtra, or Uttar Pradesh. Karnataka too had its own roaring chapters of resistance, sacrifice, armed rebellion, social awakening, and patriotic courage. Kannada cinema, though not overflowing with freedom-struggle films, has given some memorable works that preserve the stories of Karnataka’s warriors. These films remind us that the freedom movement was not one single story. It was a thousand local flames burning across the country. In Karnataka, those flames had names like Kittur Rani Chennamma, Sangolli Rayanna, Sindhura Lakshmana, Mylara Mahadevappa, and many unsung patriots. Kittur Chennamma: The Queen Who Challenged the British One of the earliest and most important Kannada films on the freedom struggl...

Kannada cinema has always had a deep relationship with classical music. From mythological films and devotional dramas to romantic melodies and emotional family stories, music directors of Kannada cinema have often used ragas not merely as technical structures, but as emotional languages. Among those ragas, Kalyani holds a very special place. Kalyani is one of the grandest and most graceful ragas in Carnatic music. It has brightness, dignity, romance, devotion, and a certain divine glow. That is why whenever a film song needs to sound pure, emotional, elevated, or timeless, composers often turn towards Kalyani or its Hindustani shade, Yaman. In Kannada cinema, Kalyani-based songs have created some of the most memorable musical moments. They may not always follow the raga with strict classical grammar, because film music allows freedom, but the soul of Kalyani can clearly be felt in many evergreen Kannada melodies. What Makes Kalyani So Special? Kalyani is a complete raga, using all sev...